Interpreting Zohran Mamdani's Sartorial Statement: The Garment He Wears Reveals Regarding Contemporary Masculinity and a Changing Culture.
Growing up in London during the noughties, I was always immersed in a world of suits. You saw them on City financiers rushing through the Square Mile. They were worn by dads in the city's great park, playing with footballs in the evening light. Even school, a inexpensive grey suit was our required uniform. Historically, the suit has served as a uniform of seriousness, projecting power and professionalism—qualities I was told to embrace to become a "man". Yet, before lately, my generation seemed to wear them less and less, and they had largely disappeared from my consciousness.
Subsequently came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a sober black overcoat, pristine white shirt, and a notable silk tie. Riding high by an innovative campaign, he captured the public's imagination like no other recent mayoral candidate. Yet whether he was cheering in a music venue or appearing at a film premiere, one thing was mostly constant: he was frequently in a suit. Relaxed in fit, modern with unstructured lines, yet traditional, his is a quintessentially professional millennial suit—well, as common as it can be for a generation that seldom bothers to wear one.
"The suit is in this weird place," notes men's fashion writer Derek Guy. "It's been dying a gradual fade since the end of the Second World War," with the real dip coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the most formal settings: weddings, funerals, to some extent, court appearances," Guy explains. "It is like the kimono in Japan," in that it "essentially represents a tradition that has long ceded from daily life." Numerous politicians "don this attire to say: 'I represent a politician, you can trust me. You should vote for me. I have authority.'" Although the suit has historically conveyed this, today it enacts authority in the attempt of winning public confidence. As Guy elaborates: "Because we are also living in a liberal democracy, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a subtle form of performance, in that it enacts masculinity, authority and even closeness to power.
Guy's words resonated deeply. On the rare occasions I need a suit—for a wedding or black-tie event—I retrieve the one I bought from a Japanese retailer a few years ago. When I first picked it up, it made me feel refined and expensive, but its tailored fit now feels passé. I suspect this sensation will be all too recognizable for numerous people in the global community whose families come from somewhere else, particularly global south countries.
Unsurprisingly, the working man's suit has fallen out of fashion. Like a pair of jeans, a suit's silhouette goes through cycles; a particular cut can therefore characterize an era—and feel rapidly outdated. Take now: looser-fitting suits, echoing Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a considerable investment for something likely to fall out of fashion within five years. Yet the attraction, at least in certain circles, persists: recently, major retailers report suit sales increasing more than 20% as customers "shift from the suit being everyday wear towards an appetite to invest in something exceptional."
The Symbolism of a Accessible Suit
Mamdani's preferred suit is from Suitsupply, a Dutch label that retails in a moderate price bracket. "Mamdani is very much a product of his upbringing," says Guy. "In his thirties, he's neither poor nor exceptionally wealthy." Therefore, his mid-level suit will appeal to the demographic most inclined to support him: people in their thirties and forties, college graduates earning professional incomes, often discontented by the expense of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably align with his proposed policies—which include a capping rents, constructing affordable homes, and fare-free public buses.
"You could never imagine Donald Trump wearing Suitsupply; he's a luxury Italian suit person," says Guy. "He's extremely wealthy and grew up in that property development world. A status symbol fits naturally with that elite, just as more accessible brands fit well with Mamdani's cohort."
The history of suits in politics is extensive and rich: from a former president's "controversial" beige attire to other world leaders and their suspiciously impeccable, custom-fit sheen. As one UK leader learned, the suit doesn't just clothe the politician; it has the power to characterize them.
The Act of Banality and A Shield
Perhaps the key is what one scholar refers to the "performance of ordinariness", invoking the suit's historical role as a uniform of political power. Mamdani's particular choice taps into a deliberate understatement, not too casual nor too flashy—"conforming to norms" in an inconspicuous suit—to help him appeal to as many voters as possible. However, experts think Mamdani would be aware of the suit's historical and imperial legacy: "The suit isn't neutral; historians have long pointed out that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're a person of color, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of signaling credibility, particularly to those who might question it.
Such sartorial "code-switching" is hardly a recent phenomenon. Indeed historical leaders previously donned formal Western attire during their formative years. These days, other world leaders have started exchanging their typical fatigues for a black suit, albeit one lacking the tie.
"In every seam and stitch of Mamdani's image, the tension between belonging and otherness is apparent."
The suit Mamdani chooses is deeply symbolic. "Being the son of immigrants of South Asian heritage and a progressive politician, he is under pressure to meet what many American voters expect as a sign of leadership," says one author, while at the same time needing to walk a tightrope by "avoiding the appearance of an establishment figure selling out his distinctive roots and values."
Yet there is an acute awareness of the different rules applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a younger leader, able to assume different identities to fit the situation, but it may also be part of his multicultural background, where adapting between languages, customs and clothing styles is common," it is said. "White males can remain unremarked," but when women and ethnic minorities "attempt to gain the power that suits represent," they must meticulously negotiate the codes associated with them.
In every seam of Mamdani's official image, the tension between somewhere and nowhere, inclusion and exclusion, is evident. I know well the discomfort of trying to fit into something not designed with me in mind, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make clear, however, is that in politics, appearance is not neutral.